书籍设计/Book
●这本摄影集是作者梦境与现实交织的产物，是一段在时间与空间的裂缝中追寻的旅程。
在设计这本书时，我试图让每一张照片都像是一道穿透雾霭的光，带领观者走入一个交错的世界，那个世界既是现实，又充满了梦境般的迷离。书的设计没有过多的装饰，每一页都以最简洁的方式呈现，不干扰观者的视线，只留下最纯粹的图像。页面的布局像是随意的步伐，时而缓慢，时而急促，正如作者那些在马恩岛、广州和上海的片段，仿佛是时光碎片的拼接，带着随意的恍惚与静默的等待。黑白的影像与空白的页面相互呼应，它们之间没有界限，也没有过多的解释，只是一种空间上的呼吸，让一切都简朴地自然流淌。影像彼此交错，共同讲述着一个在时间流动中诞生的故事。
希望让你也能从那些影像中看见你自己的梦境，在交叠的光影里感受到情感的触动。
●This photography collection is a product of the author's dreams and reality intertwined, a journey pursued through the cracks of time and space.
In designing this book, I aimed for each photograph to feel like a beam of light cutting through the mist, leading the viewer into a world where reality and dreamlike ambiguity coexist. The design of the book is devoid of excessive decoration; each page presents itself in the simplest way, without interrupting the viewer’s gaze, leaving only the purest images. The layout of the pages resembles casual steps—sometimes slow, sometimes hurried—much like the author’s fragments captured in the Isle of Man, Guangzhou, and Shanghai, as if they are pieces of shattered time, carrying with them a sense of spontaneous disorientation and silent waiting. The black-and-white images and the blank pages echo each other, with no clear boundaries or excessive explanations, only a spatial breath that allows everything to flow simply and naturally. The images intertwine, collectively telling a story born from the movement of time.
I hope you, too, can see your own dreams in these images, feeling an emotional stir in the overlapping light and shadows.
梦境交叠.α
Time/2022●这本摄影集是作者梦境与现实交织的产物，是一段在时间与空间的裂缝中追寻的旅程。
在设计这本书时，我试图让每一张照片都像是一道穿透雾霭的光，带领观者走入一个交错的世界，那个世界既是现实，又充满了梦境般的迷离。书的设计没有过多的装饰，每一页都以最简洁的方式呈现，不干扰观者的视线，只留下最纯粹的图像。页面的布局像是随意的步伐，时而缓慢，时而急促，正如作者那些在马恩岛、广州和上海的片段，仿佛是时光碎片的拼接，带着随意的恍惚与静默的等待。黑白的影像与空白的页面相互呼应，它们之间没有界限，也没有过多的解释，只是一种空间上的呼吸，让一切都简朴地自然流淌。影像彼此交错，共同讲述着一个在时间流动中诞生的故事。
希望让你也能从那些影像中看见你自己的梦境，在交叠的光影里感受到情感的触动。
●This photography collection is a product of the author's dreams and reality intertwined, a journey pursued through the cracks of time and space.
In designing this book, I aimed for each photograph to feel like a beam of light cutting through the mist, leading the viewer into a world where reality and dreamlike ambiguity coexist. The design of the book is devoid of excessive decoration; each page presents itself in the simplest way, without interrupting the viewer’s gaze, leaving only the purest images. The layout of the pages resembles casual steps—sometimes slow, sometimes hurried—much like the author’s fragments captured in the Isle of Man, Guangzhou, and Shanghai, as if they are pieces of shattered time, carrying with them a sense of spontaneous disorientation and silent waiting. The black-and-white images and the blank pages echo each other, with no clear boundaries or excessive explanations, only a spatial breath that allows everything to flow simply and naturally. The images intertwine, collectively telling a story born from the movement of time.
I hope you, too, can see your own dreams in these images, feeling an emotional stir in the overlapping light and shadows.
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