册子 / Booklet
●福樓，一栋400平独栋洋房, 大隐于市的“私人会客厅”。
册子采用竖版小开本，便于握持和携带，版式采用4x6网格系统，保持美观度和严谨度，部分页面底纹采用梧桐叶的切分图形化视觉和图片的半调处理。
封面、扉页和内页用三种层叠的尺寸，像是打开一扇门，推开一层帘子，再走近一点，阶梯般引领着读者一步步走入福楼的故事。内页夹杂了介绍空间的折页，展开便能尽览福楼的每一寸天地。
金色、墨绿色以及低饱和的背景色，来自于洋房的日常。墨绿色的梧桐树，阳光落在金色的木地板上，墙面透出的沉静，是一种时间的颜色。它不会喧闹，却又直抵心底，提醒你，这里总有值得期待的东西。
●This photography collection is a product of the author's dreams and reality intertwined, a journey pursued through the cracks of time and space.
In designing this book, I aimed for each photograph to feel like a beam of light cutting through the mist, leading the viewer into a world where reality and dreamlike ambiguity coexist. The design of the book is devoid of excessive decoration; each page presents itself in the simplest way, without interrupting the viewer’s gaze, leaving only the purest images. The layout of the pages resembles casual steps—sometimes slow, sometimes hurried—much like the author’s fragments captured in the Isle of Man, Guangzhou, and Shanghai, as if they are pieces of shattered time, carrying with them a sense of spontaneous disorientation and silent waiting. The black-and-white images and the blank pages echo each other, with no clear boundaries or excessive explanations, only a spatial breath that allows everything to flow simply and naturally. The images intertwine, collectively telling a story born from the movement of time.
I hope you, too, can see your own dreams in these images, feeling an emotional stir in the overlapping light and shadows.
福樓宣传册
Time/2024●福樓，一栋400平独栋洋房, 大隐于市的“私人会客厅”。
册子采用竖版小开本，便于握持和携带，版式采用4x6网格系统，保持美观度和严谨度，部分页面底纹采用梧桐叶的切分图形化视觉和图片的半调处理。
封面、扉页和内页用三种层叠的尺寸，像是打开一扇门，推开一层帘子，再走近一点，阶梯般引领着读者一步步走入福楼的故事。内页夹杂了介绍空间的折页，展开便能尽览福楼的每一寸天地。
金色、墨绿色以及低饱和的背景色，来自于洋房的日常。墨绿色的梧桐树，阳光落在金色的木地板上，墙面透出的沉静，是一种时间的颜色。它不会喧闹，却又直抵心底，提醒你，这里总有值得期待的东西。
●This photography collection is a product of the author's dreams and reality intertwined, a journey pursued through the cracks of time and space.
In designing this book, I aimed for each photograph to feel like a beam of light cutting through the mist, leading the viewer into a world where reality and dreamlike ambiguity coexist. The design of the book is devoid of excessive decoration; each page presents itself in the simplest way, without interrupting the viewer’s gaze, leaving only the purest images. The layout of the pages resembles casual steps—sometimes slow, sometimes hurried—much like the author’s fragments captured in the Isle of Man, Guangzhou, and Shanghai, as if they are pieces of shattered time, carrying with them a sense of spontaneous disorientation and silent waiting. The black-and-white images and the blank pages echo each other, with no clear boundaries or excessive explanations, only a spatial breath that allows everything to flow simply and naturally. The images intertwine, collectively telling a story born from the movement of time.
I hope you, too, can see your own dreams in these images, feeling an emotional stir in the overlapping light and shadows.
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